In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made

In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made

An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established an

According to many critics, the era of "Film Noir" ended with the 1958 release of Orson Welles' classic Touch of Evil. The style was not dead, but rather had bee

Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extens