This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical mani

Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent

Costume Design for Performance offers a detailed insight into the creative process behind designing costumes for the performing arts, including theatre, opera,

The Costume Supervisor’s Toolkit explores the responsibilities of a Costume Supervisor within a theatrical, opera or dance production company. Rebecca Pride p

Costumes designed and made for devised or physical drama, for contemporary circus or for dance, differ radically from the more traditional costume work produced