The Art and Science of Portraiture

The Art and Science of Portraiture
Author :
Publisher : John Wiley & Sons
Total Pages : 326
Release :
ISBN-10 : 9780787962425
ISBN-13 : 0787962422
Rating : 4/5 (422 Downloads)

Book Synopsis The Art and Science of Portraiture by : Sara Lawrence-Lightfoot

Download or read book The Art and Science of Portraiture written by Sara Lawrence-Lightfoot and published by John Wiley & Sons. This book was released on 2002-10-17 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The writing is beautiful, the ideas persuasive, and the picture it paints of the process of careful observation is one that every writer should read. . . . A rich and wonderful book." —American Journal of Education A landmark contribution to the field of research methodology, this remarkable book illuminates the origins, purposes, and features of portraiture—placing it within the larger discourse on social science inquiry and mapping it onto the broader terrain of qualitative research.


The Art and Science of Portraiture Related Books

The Art and Science of Portraiture
Language: en
Pages: 326
Authors: Sara Lawrence-Lightfoot
Categories: Social Science
Type: BOOK - Published: 2002-10-17 - Publisher: John Wiley & Sons

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"The writing is beautiful, the ideas persuasive, and the picture it paints of the process of careful observation is one that every writer should read. . . . A r
The Art and Science of Portraiture
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Type: BOOK - Published: 2002-10-17 - Publisher: John Wiley & Sons

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"The writing is beautiful, the ideas persuasive, and the picture it paints of the process of careful observation is one that every writer should read. . . . A r
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Type: BOOK - Published: 1997-08-11 - Publisher: Jossey-Bass

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Discusses the origins, purposes, and features of portraiture, a social-science research method.
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This fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture change
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Portraiture, the most popular genre of painting, occupies a central position in the history of Western art. Despite this, its status within academic art theory