This introductory essay uses William Eggleston as the point of entry to preview the entire photography issue and includes striking photographs from Ansel Adams,

Investigates the nature of documentary work, arguing that the work of an observer is not only to represent, but also to interpret reality, and uses examples fro

The Cruel Radiance of the Obvious, The 2011 Photography Issue Tom Rankin, Guest Editor Our second Photography issue features full-color photographs by William E

Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understa

The tension between social reform photography and photojournalism is examined through this study of the life and work of German ?gr?ansel Mieth (1909-1998), who